Event video production
Capture the excitement of your event on film with our event video production services.
What we do
We’ve filmed just about every event you can imagine, from music concerts and fashion shows, to awards ceremonies and panel discussions.
Need to transition your physical event to a remote live stream or hybrid event? We take care of the logistics and deliver a seamless experience for all your participants.
Our clients
Our event videos
Harper's Bazaar
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Women Of The Year Awards
We have covered the Harper's Bazaar Women of the Year Awards every year since 2015. The event features talent from film, television, art, culture and literature. Guests included Victoria Beckham, Jenna Ortega, Janelle Monáe and many others.
Pandora
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Talisman Launch
Highlights from the Pandora Opening Party for London Fashion Week, celebrating the launch of their Talisman Collection. All edits completed overnight.
YouTube
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The BRIT AWARDS
YouTube sponsored The Brit Awards and asked us to create some red carpet content with Amelia Dimoldenberg. The brief was for short, snappy, punchy edits and soundbites that could be pushed out immediately to Amelia’s YouTube channel.
Women's Health
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WH Live
Women’s Health commissioned us to film at Women’s Health Live, an annual subscriber event packed with seminars, workshops and workouts.
Wall Street Journal
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Cannes Event
We were invited to film aboard the Wall Street Journal’s superyacht, capturing a four day event of panel sessions and talks for VIP C-suite guests.
News UK
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Cannes Chateau
We were thrilled to be invited to film for the third year running at the News Château for News UK’s annual party – featuring Ed Sheeran, Kylie Minogue, Fat Boy Slim, Idris Elba and Dynamo.
Esquire
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Townhouse
Esquire booked us in to cover their exclusive pop-up members club event, bringing the brand to life over a four day immersive branded experience in London. This year was sponsored by Breitling and included three days of panel talks with actors and talent, plus an exciting launch party.
Dr Martens
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Flash Tour
Dr Martens approached us to create a video for an upcoming sponsored flash tour from Scottish indie rock band, Honeyblood. It was a super fun job which required a quick turnaround and lots of thinking on our feet!
The Sunday Times
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ST100
The Sunday Times commissioned Rise to create content for The Sunday Times 100 awards ceremony at The British Museum, as well as providing event coverage on the night. We put together an animation to introduce the awards, running through the different categories and giving some insight into how the last few years have affected business in the UK.
Virgin Radio
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Goodwood Festival
Virgin Radio commissioned an event film for the Goodwood Festival of Speed, following Chris Evans as he hosted a radio show live.
Cosmo x Lancôme
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Big Summer Party
Cosmopolitan Magazine organised an event video for The Big Summer Party, in partnership with Lancôme. Guests were matched via text and given a series of ice breaker challenges to test their compatibility.
Glenfiddich
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Time Re:imagined
Whiskey producer Glenfiddich invited us to create an events film at the Tate Modern showcasing three very special whiskeys of different ages – 20, 30 and 50 years old.
Why film your event?
Make your event go further with a highlights film or on-demand video.
1/
Increase your reach
Bring all the value from your live event to a wider audience over time.
2/
Build your brand
Establish an eye-catching online presence and make your brand stand out from the crowd.
3/
Promote future events
Give customers a taste of what to expect at your next event.
Get in touch
Drop us a line – we’d love to chat.
FAQs
This is the question we get asked more than any other, and rightly so. If you’ve invested in a premium event experience, the last thing you want is a camera crew trampling through it.
Our approach is what we call “fly-on-the-wall” production. Everything about our setup is designed to keep the focus on the event, not on us. We use small-footprint cinema-grade equipment rather than bulky broadcast rigs, and a crew that operates with a guest-first mentality at all times. No stopping conversations, no rearranging furniture, no standing in doorways with a shoulder rig.
The result is footage that feels observational rather than staged. Guests interact naturally, the atmosphere stays intact, and the energy of the room reads on screen exactly as it felt in person. When we’ve done our job properly, most attendees won’t even realise we’re filming until they see the final edit.
Yes, and this is something we actively encourage. The cultural shelf life of a live event is measured in hours, not days. If you’re waiting until next week to share the highlights, you’ve already missed the window.
We run what we call a “Social First” editing workflow on-site. While our main crew captures the full event, a dedicated editor works in parallel to cut short-form content in real time. Think 30-second vertical clips for Instagram Stories, polished highlight moments for LinkedIn, or quick behind-the-scenes sequences for TikTok. These are ready to publish while the event is still running.
This isn’t rough phone footage with a logo slapped on it. It’s properly graded, branded content produced at speed. We understand that the modern marketing ecosystem demands immediacy without sacrificing quality, and our on-site workflow is built to deliver both. Your social team gets ready-to-post assets while your guests are still in the room, and the full event film follows in post-production. We also have a wealth of experience delivering finalised event films overnight, finalised for posting the next day.
We shoot our event films with a clear strategy in place and the final edit in mind from the very start.e Before the day, we identify the narrative beats that matter to your business objectives: the keynote takeaway that positions your brand as a thought leader, the networking moments that prove the value of attendance, the on-brand interactions that will make prospects want to be in the room next time. Every camera position, every interview question, and every cutaway is planned to serve those beats.
The final piece doesn’t just document what happened. It sells the next event, proves the ROI of the current one, and gives your sales and marketing team a library of purposeful content they can deploy for months afterwards.
This is where technical rigour makes a real difference. Live events are unpredictable by nature: ambient noise, mixed lighting temperatures, rapid transitions from dark keynote stages to bright networking spaces. Amateur setups fall apart in these conditions. Ours are built for them.
On the audio side, we take direct feeds from the venue’s sound desk wherever possible. This gives us clean, isolated audio from speakers and performers without the room echo, crowd bleed, or PA distortion that plagues event footage captured on camera-mounted microphones alone. For interviews, voxpops and more intimate moments, we use broadcast-grade wireless lapel systems that capture clear dialogue regardless of background noise.
For lighting, we work with specialised low-light cinema sensors that perform beautifully in the conditions most event spaces present. e work with the existing light wherever we can, supplementing only where necessary with discreet LED panels for interviews and voxpops. The footage looks cinematic because the equipment is designed for exactly these scenarios, not because we’ve turned the venue into a film set.
We treat every event with the same technical standard we’d apply to a high-end commercial shoot. The difference is that nobody in the room notices.
This is a risk that gets overlooked surprisingly often. Without deliberate creative direction, event footage naturally defaults to the visual identity of the venue: their lighting design, their signage, their colour scheme. Your brand becomes a secondary character in its own content.
We prevent this through what we call our Brand-Led Discovery process. Before the event, we work with your team to align on the visual pillars of your brand: past visual references, filming style, colour grading preferences, typography, pacing, soundtrack selection, and editorial tone. This isn’t a vague creative chat. It produces a concrete visual brief that guides every production decision on the day.
On set, that brief informs our camera angles, lens choices, our framing, our interview setups, and the moments we prioritise. In post-production, it drives the story, colour grade, the motion graphics, the sound design, and the overall editorial rhythm. The final film is built around your brand’s visual language, not the venue’s.
The goal is simple. Whether the event took place in a five-star hotel, a conference centre, or a rooftop in Cannes, the finished piece should look and feel unmistakably like your brand. It should sit alongside your other marketing assets and feel like it belongs there.